We all know how to recognize demons. The demonic voice has one overriding characteristic: he will always use the logic of the system against its structure. Thus, when a voice demands that women play their traditional role in the home, while manipulating the economy so that the median household, just in order to stay still, must throw into the pot 350 more working hours per year – which is the difference between the median household of 1970 and the median household of today – you know you have caught a demon.
Demons have traditionally loved to harrie women, so I was not surprised that the latest happiness survey (with all its iffy premises and methodology) unleashed a lot of demonic voices – from their corners in the press. Of course, since my work in progress is a critique of all these assumptions about happiness, I cast my eyes on the newspaper accounts and was rather happy to see them conform so exactly to my expectations about the total social fact of happiness. The failure to be happy, in the press, was greeted as a great moral default that could be laid at the feet of those whose answers were not satisfactory – who were not happy. And they were, in particular, women.
In the happiness culture, happiness is not only an emotional norm on the personal level, but a collective norm. It is what connects the subject to the total social project. And thus to be unhappy is not only a personal failure but a minor treachery. The pack of demons who go under the traditional values banner and the pack of demons who go under the neo-liberal banner could both, then, agree to hunt the women together. And they do enjoy hunting women, they always have.
Maureen Dowd, whose ears are pricked up whenever the demonic crowd howls, wrote a column about it in which, underneath the usual music about the grave failing of women, liberated women, in this here New World, there was a hint, a shadow of a dissent – as if the real question was not why are women so unhappy, but why are men not. Indeed, a closer examination of the norms around the happiness question should alert us to the connotation of success that hovers over it. If happiness is success, than to say one is unhappy is to say that one is unsuccessful. In fact, at the same time the polls consistently show wild degrees of success among men, especially white middle class men, who are the avatars of these men? They are an increasingly angry bunch of tv celebrities. Newspapers, with their casual, schizo flaneur’s juxtapositon of contradictions, will jump from how happy men are to how angry they are without blinking. But those who think happiness signifies a certain feeling, has a certain emotional valence, are going to have a tough time figuring out this combination of anger and happiness.
There's a nice post on this topic by a medievalist named girlscholar, entitled “House always wins”. I thought that it was of interest because girlscholar seems to accept the idea that happiness is a norm that one should strive for. That we should strive to have a happy life.
Her idea is that the opening of the public sphere to women, the feminist revolution, raised expectations that were disappointed:
“Now, imagine that women's** expectations of the limitless possibilities for their lives are thrown into contrast (a contrast that gets sharper as women age) with the realization that, in spite of (or perhaps because of?) all this, we're still expected to spend enormous amounts of our energy trying to be something we’re not: pretty, thin, young, compliant, non-swearing, perfectly-groomed, dependent, dumb, nurturing, self-sacrificing, quiet-voiced, unconditionally adoring, nonthreatening, patient, or simply never, ever angry. In other words: “feminine.” And the older we get, the more we realize that the house always wins in the end.”
This pretty succinctly expresses a thought I’ve seen expressed, especially by highly educated women in America, before. On the one hand, this has to be right. On the other hand, it has to be a half truth. It is at this point that a further, radical betrayal of the culture is required. I think the experience of women, in the public sphere in the developed economies, has given them every reason to doubt the very foundation of the house - that the house manufactured happiness is really an adequate norm for us on a personal and collectie level. That it gives us the scope and perspective with which to view - to judge -- a “life”.
Of course, the survey is superficial and from a certain point of view stupid. But it is superficial in a telling way. It is my thesis in my work in progress that the goal of living a happy life has given way to the norm that happiness is a form of success, or maybe is success period. One way of thinking about the question of happiness is to think of terms that are close to happiness that would separate it more from the total social fact that it has become. For instance, fun. Imagine a poll in which you asked people if their life was fun. I would imagine you would get a much more baffled, and diversely patterned response. Or pleasurable. Or delightful. The more you gnaw at the semantic cluster around happiness, the more you lay bare the normative presuppositions it hides.
I, of course, have been advocating the view that those presuppositions have a history in which alternatives to happiness were marginalized in the civic order over which happiness presides, conjoining the governors and the governed. In the process of that marginalization, happiness has grown into a monstrous thing that poses a very real threat to human life on earth. This doesn't mean that it was always a monstrous thing, or that we can tell a total history of it. Historically, one of the great liberating dynamics of the happiness culture was that it laid the foundation for destroying the system of dependency, that feudal remnant (to use feudal in the sense given it by the French revolutionaries) under which women were forced to live. But just as the capitalist system and the industrial system that grew up under the form of that culture are now rubbing against the limits of that form, so, too, is the liberated “feminine”.
Women have a special place in the history of happiness because, historically, they were at once marginal and central. Unlike race or class, women were distributed over the whole of the social sphere – and yet of course whatever position they were in, however they were defined elsewise, as women they were the object of the same gaze and judgments – which were, collectively, marginalizing judgments. This is, of course, patriarchy. And all that means is that women were peculiarly sensitive to the demonic voice – to the hunt that has for its object not only the humiliation and destruction of certain subordinate objects within the social sphere, but to make the victim's own actions the basis of her destruction. Happiness seemed to hold the demons at bay, seemed to provide the marginals, the natives, with a weapon taken from Behemoth himself, which is the necessity that happiness be collective. But, in these ill times, happiness has turned against the happy life, emptying it out of all depth and emotion, leaving anger and success as the man’s lot, and as the woman’s, a sense that something has gone terribly wrong with the future.
ps - I was going to do a whole post about this, but I think instead I'll just link. The first link is to the THE essay that Infinite Thought made fun of, here. And then there is Belle Waring's piece on this insanely stupid column, here. I thought of several cutting and clever things to say myself, but it is hopeless in the face of the moronic inferno, represented, especially, by the Mary Beard defense that this is satire - which is a defense that makes me think, oh Mary Beard. You have gone down in my opinion of your ability to judge a text - especially if you feel that to say what you really think would get your in trouble with the establishment. Sad, all the way around.
Gijs van Donselaar, Peter Rijpkema, Henri Wijsbek (dir.) : The Ethics of
Determining One's Own Death. Essays on Den Hartogh's What Kind of Death
-
* Amsterdam University Press - Décembre 2024*
This collection brings together key contributions on the ethics of
end-of-life decisions, inspired by the pu...
1 hour ago
14 comments:
AQ 230 = DECYL ALDEHYDE = PACK OF DEMONS (AQ-875 THE DEMONIC VOICE HAS ONE OVERRIDING CHARACTERISTIC).
AQ 349 = HOUSE ALWAYS WINS = BY DINT OF CONTRAST.
AQ 537 = PROCESS OF CONSCIENTIZATION = THE PROLIFERATION OF 'CARRIERS'.
AQ 560 = THE HOUSE ALWAYS WINS IN THE END = ARTIFICIALISING MONTAGE-ARTIST (AQ-483 ANTI-ORGANIC ANTI-CAPITALISM) = EVERY ACCRETION MUST MODIFY ME.
AQ 579 = THE TOTAL SOCIAL FACT OF HAPPINESS = ATTAINMENT OF POSITIVE UNBELIEF.
AQ 588 = WHENEVER THE DEMONIC CROWD HOWLS = DE COMEDIA UNIVERSA, QUAE DICTUR PAN.
AQ 597 = OBJECT OF THE SAME GAZE AND JUDGMENTS = STRUCTURED INVESTMENT VEHICLE
AQ 621 = JUXTAPOSITON OF CONTRADICTIONS = AREA OF OUTSTANDING NATURAL BEAUTY.
AQ 633 = IMAGINE AN UPSIDE-DOWN LETTER J. GET IT? = ALCHEMY AND THE MASS OF THE HOLY GHOST = CE QUI N'EST PAS CLAIR, N'EST PAS FRANÇAIS (AQ-326 ANTOINE DE RIVAROL) = KANT'S OPENING PARAGRAPH OF THE ESSAY.
AQ 671= WHAT'S HAPPENING TO WOMEN'S HAPPINESS? = EVENIN'S EMPIRE HAS RETURNED INTO SAND = THE FIRST LINE OF THE HOLY BOOK REVEALED.
AQ 742 = CONJOINING THE GOVERNORS AND THE GOVERNED = THE VEILED THING THAT IS THE ORIENTAL WOMAN (p145, AQ-390 FIGURES OF RESISTANCE).
AQ 744 = RADICAL BETRAYAL OF THE CULTURE IS REQUIRED = WHY THE LEHMAN FAILURE DID CHANGE EVERYTHING .
AQ 797 = LIBERATING DYNAMICS OF THE HAPPINESS CULTURE = CHAPTER XII: THE LEFT-HAND PATH-"THE BLACK BROTHERS" = HOMOGENEOUS LARGE POOL GAUSSIAN COPULA MODEL.
AQ 812 = GNAW AT THE SEMANTIC CLUSTER AROUND HAPPINESS = THE GIRLS ARE CRYING THE BOYS ARE MASTURBATING.
AQ 823 = BARE THE NORMATIVE PRESUPPOSITIONS IT HIDES = CITIZENS UNITED V. FEDERAL ELECTION COMMISSION.
AQ 912 = USE THE LOGIC OF THE SYSTEM AGAINST ITS STRUCTURE = KNOWLEDGE AND CONVERSATION OF THE HOLY GUARDIAN ANGEL.
AQ 977 = THE MORE WE REALIZE THAT THE HOUSE ALWAYS WINS IN THE END = PUNCTUATED RETROCHRONIC VOYAGE TO THE END OF THE RIVER.
AQ 1482 = WE ARE INTERESTED IN FICTION ONLY INSOFAR AS IT IS SIMULTANEOUSLY HYPERSTITION = OBJECT OF THE SAME GAZE AND JUDGMENTS - WHICH WERE, COLLECTIVELY, MARGINALIZING JUDGMENTS.
AQ 3161 = BREAKING THROUGH PREVAILING MYTHOLOGIES TO REACH NEW LEVELS OF AWARENESS-IN PARTICULAR, AWARENESS OF OPPRESSION, BEING AN "OBJECT" OF OTHERS' WILL RATHER THAN A SELF-DETERMINING "SUBJECT" (AQ-270 CONSCIENTIZAÇÃO) = IT'S NOT A SIMPLE MATTER OF TRUE OR FALSE WITH HYPERSTITIOUS SYSTEMS. BELIEF HERE DOESN'T HAVE A SIMPLY PASSIVE QUALITY. THE SITUATION IS CLOSER TO THE MODERN PHENOMENON OF HYPE.
AQ 409 = CRUELTY IN PERFECTION (AQ-487 THE FOUR STAGES OF CRUELTY) = THE HOUSE ALWAYS WINS.
AQ 727 = JESUS I KNOW, AND PAUL I KNOW; BUT WHO ARE YE? = MYSTICAL CONSUMMATION OF UNCERTAINTY.
AQ 767 = JESUS I KNOW, AND PAUL I KNOW; BUT WHO ARE YOU?" = THE PINS THAT LAY IN THE HOUSE THAT ADAM BUILT = LET ANGELS GUIDE YOU ON YOUR LOFTY QUEST = THE PARANOID METHOD FOR GNOSTIC HISTORIANS.
AQ 871 = JESUS I KNOW, AND I KNOW ABOUT PAUL, BUT WHO ARE YOU? = GOD CAME FROM TEMAN, AND THE HOLY ONE FROM MOUNT PARAN.
AQ 1338 = AND THE EVIL SPIRIT ANSWERED AND SAID, JESUS I KNOW, AND PAUL I KNOW; BUT WHO ARE YE? = SECULAR PERTURBATIONS OF ASTEROIDS WITH HIGH INCLINATION AND ECCENTRICITY (AQ-273 KOZAI MECHANISM).
North! I was wondering where you were.
you must not still be at the library, perhaps?
At the library! Do you think I live a life of pleasure and ease! I've been sweating all day editing sentences like this:
"The equivalent circuit is powered by a 120 VRMS sinusoidal input voltage with 3rd harmonic distortion ranging between 4.8 – 5.1 percent added."
This has not been kind to my brain. Unfortunately, it looks like I'm down to only 100 working brain cells left. And those I'm planning on killing off with alcohol. So, in general, you should weep and wail for my poor fate.
boo hoo.
AQ-2286. have to check old pc. give me about 30min, making dinner.
AQ 2286 = THE EQUIVALENT CIRCUIT IS POWERED BY A 120 VRMS SINUSOIDAL INPUT VOLTAGE WITH 3RD HARMONIC DISTORTION RANGING BETWEEN 4.8 – 5.1 PERCENT ADDED = ELEVEN IS THE GREAT NUMBER OF MAGICK, AND THIS CHAPTER INDICATES A SUPREME MAGICAL METHOD; BUT IT IS REALLY CALLED ELEVEN, BECAUSE OF LIBER LEGIS, I, 60 = I WONDERED ABOUT THE WISDOM OF POSTING THIS AFTER MINDLESSLY PUNCHING IT INTO GOOGLE. IT IS GROSS BUT WHO KNEW IT COULD CURE CANCER? (AQ-460 SMEGMA, YOUR FRIEND AND MINE) = LONGFELLOW, IN THE DIVINE COMEDY, CALLED IT "THE GOLDEN" PROBABLY BECAUSE THE STARS WERE MORE CONSPICUOUS THAN THOSE IN THE NORTH (PISCES) (AQ-326 PISCES AUSTRALIS) = OUR BREAKFAST WAS A MUG OF MAD, A BOWL OF BILE, A RATION OF RAGE, AND A SIDE OF SADISM. WE SHALL ENDEAVOR TO WASH IT DOWN WITH A CARAFE OF CONSIDERATION (♦♠♥♣).
http://www.youtube.com/watch?v=R7U8wz78fIM
http://www.youtube.com/watch?v=COMDaYKJCWs
Amie
Amie! you've been holding out on me! you should have told me about Pauline Julien a long time ago.
I obviously need to listen to this woman.
Amie. two good pieces (as usual!).
you know i don't know french! this helps: Who is the Narrator? And who is "Une sorcère comme les autres?"
AQ 1074 = PAULINE JULIEN - UNE SORCIÈRE COMME LES AUTRES (ANNE SYLVESTRE) [+] = WE SHALL ENDEAVOR TO WASH IT DOWN WITH A CARAFE OF CONSIDERATION.
dont forget roger, heng wrote, "Women, and all signs of the feminine, are by definition always already anti-national"
North, thank you for the reference to the Sudbury strike and Pauline Julien singing Une Sorcière comme les aurtres in a benefit for the strikers and the Women in Support of the Strike Committee. I didn't know of the film, A Wives' Tale, but I will have to search it out, has to be in a library here somewhere. I've been thinking all day of the young woman in the film who says after the strike, "I'm not scared to go out by myself anymore."
The workers at Inco in Sudbury are on strike again today, have been for three months.
Amie
Amie
thanks Amie. glad you liked that link. Julien has this really interesting voice, btw. it's amazing how emotion plays between the notes.
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